So, remember when I started the new feature of the blog called Artist’s Spotlight? I’m bringing it back to stay this time!
Here to revive the almost-gone-but-not-forgotten section is animator and cartoonist, Jeff Maksuta.
The professional shot
The artist in his natural state: playing!
Roaring Out: How long have you been creating art and in what mediums?
Jeff Maksuta: I’ve been drawing since I was little, but I would have to say I didn’t really get serious about art until late in the game, which is around when I was 21. So 7 years. As far as the mediums I work in, I like to start my work using an HB pencil and some computer paper. Then once I get my drawings to a good point, I scan them into the computer, and ink and color them digitally. When I shift over to the computer, I use a Wacom Intuos 2 and Adobe Flash.
RO: What first inspired you to art?
JM: I was raised on video games, cartoons, and comic books, so those things really inspired me to start drawing. I remember collecting those 1990’s Marvel Cards and being really fascinated by all the different superheroes and villains. Reading up on their back stories and powers, in combination with their visual appearance, I thought was really awesome. The Mortal Kombat games also had the same effect on me. Each character driven by their own reasons to enter this fighting tournament, and want to kill each other, was/is pretty freaking cool. So really, it is this combination of visuals and story that I’m passionate about. Sure, art is good on a strictly aesthetic basis and writing a story can be fun, but the combination of the two…well, let’s just say I nerd out pretty hard. I could list a bunch of cartoons and other things that have inspired me over the years, but my biggest inspiration has come from my good friend Marc Basile. He is the one I really attribute to helping me open that door to becoming serious about my art. I cannot thank him enough for how much he’s encouraged me and how much he has taught me over the years.
RO: What mediums are your current favorites?
JM: An HB pencil is where I like to start (Staedtler Mars Lumograph is my favorite brand). Sometimes I’ll start laying things out with a non-photo blue Prismacolor pencil. As I mentioned earlier, I like to draw on copy paper and then bring it over to the computer. If I was to do everything minus doing it digitally, I would finalize my work using Prismacolor markers and/or Micron Pens. When I go digital, I feel most comfortable using Adobe Flash, because it gives me exactly what I like; I can get graphic with it. The brush tool in the program, in conjunction with the Wacom tablet, can be compared to a brush tip marker. I usually work in a limited color gamut; often times, I use flat colors with some minimal cell shading. I’m also a big fan of applying heavy, black outlines to my figures.
A work in progress – Predator
RO: Could you please talk a little about your creative process?
JM: Usually my creative process begins with just a simple idea. Then in this almost automatic, ADD kind of way, my brain runs with the idea, throwing in nonsensical twists and filtering through “what if’s”, which ultimately leads to a point where its spun into something I like. So the story aspect is built on this snowball effect. As far as the visuals go, I like to start off by designing my characters, and then once I figured out their look, I start roughing the story out with some thumbnails to get a feel of what the overall composition is going to look like. Once that reaches a good point, depending on the project, I start the full-sized pages or storyboards. Then I’ll scan everything, and digitally ink and color.
RO: If you could spend the rest of your life focusing on one art form, what would it be?
JM: Any form of sequential art. As I mentioned earlier, I like the combination of art and story, it’s what I get really passionate about. So as long as I’m making cartoons and/or comics, I’m king of the world.
RO: I know you are a part of a comic group you helped start called Sideshow Comics. Can you talk a little bit about what led you to create this group?
JM: Well, I remember talking to my buddy, Chris Mitchell, about wanting to create a web comic, and being that Chris is like a bother to me and knowing he has a great sense of humor, I asked him if he would be interested in creating a website together where we can post funny comic strips. He was all for it, and so Sideshow Comics was born! Actually we were having a hard time coming up with a name for the site. I remember Chris said something about how it would be cool if we had a name like Sideshow Comics and we were both like “Alright…yeah -that sounds good!” Haha. So yeah, me and Chris write and draw our own comics that we post on Sideshow. We’ve also had Marc Basile and Joel Casimiro contribute some of their work to the site as well. As of right now, Sideshow is slightly on the back burner, but it’ll be rockin’ socks once again…by which case I mean, it’ll make people explode because they can’t handle the awesome, which usually happens when I just walk down the street and people look at me. But that’s a story for another day.
Mortal Combat Haiku – from Sideshow Comics
RO: What is the longest time you’ve spent on a piece of art?
JM: Actually the longest I’ve spent on a single project was about 3 months. It was an animation I did for my thesis project, titled Onion Boy. The whole process from writing the script to animating the visuals took a good chunk of time to finish. But I had a lot of fun with it, and I am thankful that my very talented friend, Dan Kypers, could hop on board and do all the voice acting. So overall it was pretty time consuming project, but seeing everything complete and in action is an amazing feeling.
RO: What do you enjoy when you are not arting?
JM: I like to eat bags and bags of cheese doodles…Haha, nah other than arting, on my free time I like to watch a good movie, read comics, play some video games, be a dinosaur, fly a spaceship, make a burrito, eat that burrito…mmmm Taco Bell. I don’t really like fast food, but T-bell is one of those guilty pleasures of mine; just like Ghost Adventures, which is actually the only TV show I watch…Well, now I’m going to put my sunglasses on, because I realize how cool I sound! Free time well spent.
RO: Do you have anything handmade that you own that is particularly meaningful to you?
JM: Not to talk so much about my own art, but it’s really nice to hold onto old sketchbooks. Thumbing through them not only helps me realize how much I’ve progressed over the years, but also it helps me appreciate a lot of great memories through the art I’ve created.
RO: To conclude, what is a lesson you have learned from creating art that you would like to share with others?
JM: I think its really important to set deadlines for yourself. It’s something that I need to do, otherwise I’ll procrastinate like crazy. Sometimes the hardest thing for me is to get started on a project. Once I get going, I don’t want to stop; I have a very obsessive personality. So setting deadlines kind of forces you to take on this challenge of pushing forward with your initial idea instead of being tied down to a strictly mental projection of the project having to be some grandiose masterpiece. Other than that, I’m going to reiterate the famous artistic proverb of draw, and keep drawing! (Or, do the art you enjoy most on a consistent basis). It’s important to build a good foundation, studying things like anatomy, perspective, lighting, texture, etc. Study your favorite mediums; study artists who really speak to you. Most of all though, have fun with it. Don’t get bogged down by not creating something perfectly or not producing exactly what’s in your mind onto paper. Sometimes we have great ideas in our heads, and it just doesn’t come out quite right on paper, but that’s okay. This is part of the challenge and the fun of communicating ideas visually. You’re having a dialogue with the page and coming to an agreement. If you feel your art work hasn’t turned out quite the way you wanted it to, start again and try approaching from a different angle. Also, whether you like it or not, a part of your personality is projected onto your artwork, so if you feel you’re “failing” at imitating a particular style, that’s okay. It’s in your own personal approach, your touch, that really makes your artwork yours. I could keep going and get all artsy fartsy on you, but blah blah…just art. ART!
And now for a quote:
“Bubble gum, bubble gum in a dish, how many pieces do you wish?”
“The rules are simple. Take your work, but never yourself, seriously. Pour in the love and whatever skill you have, and it will come out.” -Chuck Jones
Thanks for sharing, Jeff! To see more of Jeff’s work, check out his website at: www.jeffmaksuta.com.